My work explores memory, erasure, and the architecture of lived experience. Using analog photography, collage, paint, and typed text, I create layered surfaces that act as both record and refusal—holding what is preserved, obscured, and unresolved between ego and spirit.

The photographs are shot on film and left uncorrected; blur, imperfection, and limited framing become evidence of presence and constraint. The text is original, fragmented, and tactile—typed by hand and embedded into the surface—serving as both counterpoint and trace.

Recurring motifs—red Xs, architectural forms, light and shadow—suggest systems of control, selection, and omission. Some images are rejected, others embraced, others held in their imperfection, reflecting how meaning is shaped by what we keep, discard, and cannot fully express.

These works are quiet sites of confrontation, asking for slow looking and sustained attention. Each piece functions as an object of witness, meant to be lived with rather than resolved.